Entr’acte – IOTW Report

Entr’acte

Entr’acte from Bizet’s Carmen, played by Emmanuel Pahud.

22 Comments on Entr’acte

  1. One of these videos every couple of days would bring culture to the uncultured and beautiful music to the ears of the tone deaf. I can’t wait to hear Wagner’s ”Gotterdammerung” accompanying Dementia Joe’s last teleprompter speech from the Wilmington Bunker.

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  2. That conductor is Gustavo Dudamel. He has a passion for bringing classical music education to the poorest youth, particularly in his home country of Venezuela. Dudamel himself was a product of the Venezuela Youth Orchestra or El Sistema. He has repeatedly spoken out against the current government of his home country and, in turn, that government has punished the Youth Orchestra program.

    El Sistema is a wonderful program and well worth spending a little time on YouTube learning about it. Here is an roughly two minute clip of Dudamel and the Simon Bolivar Symphone Orchestra having an absolute blast playing Bernstein’s “Mambo”. The audience goes wild!

    https://www.youtube.com/watch?v=NYvEvP2cmdk

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  3. Cherrybark,
    That was a lively piece. Difficult to stay in your seat when the orchestra is playing with their instruments and not staying in their seats.

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  4. Toxic Deplorable Racist SAH B Woodman
    OCTOBER 7, 2020 AT 9:05 AM
    Cherrybark,
    “That was a lively piece. Difficult to stay in your seat when the orchestra is playing with their instruments and not staying in their seats.”

    …sorry, I know I’m not being classy enough, but the “playing with their instruments” part just makes me think of this remonstration between a conductor and his lady cellist…

    “Madam, you have between your legs an instrument capable of giving pleasure to thousands and all you can do is scratch it.” – Sir Thomas Beecham

    https://www.classicfm.com/discover-music/latest/conductor-insults/beecham-cello-quote/

    …I’ll leave now, sorry for the lowbrow digression…

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  5. Answerman Cooper
    OCTOBER 7, 2020 AT 9:22 AM
    Y”ou know it’s culture because the stage isn’t protected by chicken wire.”

    …now that you mention it, it WOULD be fun for the crowd to try to peg empty beer bottles into the tubas….

    …OWW, QUIT PINCHING! I SAID I’m leaving, just got distracted, is all…

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  6. …or,you could score 2020 with Carmina Burana’s and Carl Orff’s “O Fortuna”, that works too…

    https://youtu.be/FWiyKgeGWx0

    “O Fortune,
    like the moon
    you are changeable,
    ever waxing,
    ever waning,
    hateful life
    first oppresses
    and then soothes
    as fancy takes it;
    poverty
    and power
    it melts them like ice
    fate – monstrous
    and empty,
    you whirling wheel,
    you are malevolent,
    well-being is vain
    and always fades to nothing,
    shadowed
    and veiled
    you plague me too;
    now through the game
    I bring my bare back
    to your villainy
    fate is against me
    in health
    and virtue,
    driven on
    and weighted down,
    always enslaved.
    so at this hour
    without delay
    pluck the vibrating strings;
    since Fate
    strikes down the strong man,
    everyone weep with me!”

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  7. That so warmed my heart. My first exposure to classical music was in 5th grade when our school had an orchestra play. I was mesmerized and never wanted it to end.

    That said, I like almost all forms of music. I grew up with the best contemporary music – Rock! The 60s and 70s (and, yes, some from the 80s!) will never be duplicated until the performers stop with the “music by committee” and do their own work. If they have talent, that is. No autotune.

    I said “most forms” because I’m allergic to rap and twangy nasally country. It’s kind of a “Mars Attacks” thing.

    Anyway, thank you MJA!

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