How DARE Taylor Swift Cover a BLACK Song!!! – IOTW Report

How DARE Taylor Swift Cover a BLACK Song!!!

Did you know there were such things as BLACK songs??

Yep. If a black person wrote a song and sang it, white people are simply poking the beast if they dare sing it. Taylor Swift did a remake of Earth, Wind and Fire’s “Dancing in September,” which some black writers are saying is an assault because Earth, Wind and Fire is “sacred in the black community.”

Really? It’s one thing to try and provoke a civil war because you’re stupid and silly, it’s another when you simply lie.

Earth, Wind and Fire would be living under a bridge if not for white people. The support from the black community is simply not there.

Here’s EW&F’s tour schedule.

Their tour stops are mostly Casinos in Vegas, California and Pennsylvania, and white areas of California – Santa Barbara, Ca., San Jose, Ca., – and State Fairs in Iowa and Nebraska. They play once in Detroit and once in St. Louis.

A look at their live concerts on Youtube shows seas of white people.

I’m sure Philip Bailey would be happy to give back all that “Easy Lover” money to Phil Collins. But is that a “black song” or a “white song?” Do black people walk out of the concert if they launch into one of their all-time biggest hits because a white guy co-wrote it?

And speaking of writing songs, a white woman, Allee Willis, co-wrote Dancing in September. (She also wrote The Rembrandts’ hit “I’ll Be There For You,” the theme song for Friends.)

And where do white people stand on Earth, Wind and Fire remaking the Beatles’ (and butchering, by the way) “Got To Get You Into My Life?”

Do we threaten to “kick their ass” as one black writer said about Taylor Swift?

Seriously, some black people are way out of line, and I’m sick and tired of it. They are making it very difficult to coexist with them with all this petty garbage. And white liberals are stoking the embers.

Related:

Philip Bailey praises Taylor Swift with the message “Ain’t Got Nothing But Love for Ya #freedominmusic.”

Maybe this is why white people love Earth, Wind and Fire. Have the militants stopped and thought about that for a second?

Also:

Was Stevie Wonder committing “white sacrilege” when he covered The Beatles with “We Can Work It Out?”

How about Chaka Kahn’s version?  Should whites have kicked her ass?

And then there’s this – Ella Fitzgerald performs Sunshine of Your Love.

Otis Redding – (I Can’t Get No) Satisfaction

Shirley Bassey – Light My Fire

Prince – Creep

Isley Brothers – Summer Breeze

Shall we pretend Seals and Croft are “white royalty” and create racial tension because the Isley Brothers committed impiety?

 

 

 

 

 

 

31 Comments on How DARE Taylor Swift Cover a BLACK Song!!!

  1. Rock and roll itself could be considered an appropriation of the blues. Beatles, Stones, Clapton, Elvis all “appropriated” the blues. Hound Dog was a cover of a song by Big Mama Thornton. I’m pretty sure that’s not a white woman

    What do we do about that?

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  2. She’s been an easy target since that stupid Kanye incident. Was it Kanye? Whatever. Plus some weirdos were putting some racist quotes and attaching them to her photos and putting them on all the klan sympathetic sites. She tried to have them taken down, to no avail. So the SJW’s keep throwing that up in her face, too. Man, when the Left eat each other, they lick the bones. lol.

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  3. So when are our noble black brothers going toset the example by not “culchully ‘popiatin” all the White mans works? You know, machine woven cloth, automobiles, made roads, a written language. Hyocrites and thuggish scum!

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  4. 35 or so years ago I sang a negro spiritual solo in the Notre Dame Cathedral on a class singing tour and I’m lily white like Taylor. Does that condemn me to hell? (It was a beautiful ballad – Are you ready, my brother?) The sound of my voice bouncing back from the Rose Window was chilling!

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  5. I don’t think most people are instinctively obsessed with finding something to bitch or whine about. Why this great desire to be unhappy about something / almost everything?

    It must be driven by someone telling them they aren’t self-responsible for being losers, it’s someoneelse’s fault, they believe it, and get POd about the smallest things. Take a clue bitchers from that “black song”, Don’t Worry Be Happy.

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  6. Remember the Deplorable 1970s when music had no color? It was so bad that musicians actually referred to racist cultural appropriation as “sharing” and “influence”.

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  7. 99.9% of the blacks couldnt name one song or one members name from EWF. The fabrication that they, or anything else besides maybe raping your daughter or niece, are “sacred in the black community” is laughable. Nothing is sacred unless it has to do with defending a criminal or the gay sex epidemic amongst supposedly bad ass black gangstas.

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  8. “Hamilton” is a hit Broadway show about what amazing white people created, played by non-whites whose contemporary relaties not only had nothing to do with it, but who were living in primitive mud huts and caves at the time.

    Not one person has suggested this is cultural appropriation.

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  9. She has been a target for some time. The so called black musicians can’t stand that she wins so many music awards. Here’s an idea, try learning how to play a musical instrument instead of spewing juvenile rhymes while scraping records and acting like your a badass.

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  10. “Man, when the Left eat each other, they lick the bones. lol.”

    Well, Mary Jane, I think they actually suck (as in getting the marrow out) the bones … not just lick.

    But, yeah, generally, I agree that they “lick the bones.”

    izlamo delenda est …

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  11. This was an issue in the 1950’s when whites covered songs originally done by black artists. One black woman singer even wanted Congress to pass a law making the practice illegal, but that (obviously) didn’t go anywhere.

    You just have to remember that some blacks want whites to be in a no-win situation. If whites do black music, it is cultural appropriation. If whites don’t do black music it is racism to ignore such fine contributions to culture.

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  12. So, first of all, go fuck yourselves.

    Second, I can’t turn on a radio without hearing some black so-called “musician” stealing (excuse me, “sampling”) audio from a previous musician who was infinitely more talented (and generally white). And I don’t mean “covering” the song, I mean directly stealing audio from the song.

    So, again, go fuck yourselves.

    Third, I can’t help but notice that whenever someone who is even tangentially on the left steals and modifies (or, more precisely, defaces) the work someone else created, it’s called “a creative re-imagining” or some such bullshit.

    But when someone who isn’t on the left does the SAME EXACT FUCKING THING it’s a goddamn sacrilege, and the culprit should be lynched.

    So, again, go fuck yourselves.

    Fourth, I guess it isn’t bigotry when your side does it?

    To sum up, go fuck yourselves.

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  13. OK pookie, I’ll bite.
    Electric guitar, harmonica, piano, amplifiers, microphones, stringed instruments, organ, I could go on and on.
    I’ll give you drums.
    What do you call a guy who hangs out with musicians?
    Drummer.
    Can we just agree some people should get a more productive hobby?
    Jumping to conclusions and knee jerk reactions barely gets them off the couch.

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